求爱夜惊魂

求爱夜惊魂

BD1080P中字

10.0 |2023年04月24日 |吴启华设计狂追张曼玉
简介:
阿龙(张坚庭 饰)是一名的士司机,痴痴的爱慕着电视台的女记者阿珍(张曼玉 饰)。为了讨阿珍的欢心,阿龙常常利用自己身为出租车司机所拥有的独特的情报网来替阿珍获取第一手的新闻素材,凭借着阿龙的帮助,阿珍在电视台的地位节节攀升,成为了上司眼下的红人。  然而,不同寻常的事情哪 会天天发生,而新闻报道则日日都有。当阿龙得不到素材时,便开始亲手“制造”新闻,哪知道因此而惹出了一连串的麻烦,令阿珍对他的好感度大跌,阿龙识趣的渐渐远离了阿珍。电视台里的竞争是如此的激烈,渐渐屈居人后的阿珍再度找到了阿龙,这一次,她需要一个劲爆的大新闻,来挽回自己在上司心目中的分量。
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更新时间:2023年04月24日
主演:Ib Koch-Olsen
简介:The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.  Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.  The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.  In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.  On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.  Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.  The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
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