地狱男爵：血皇后崛起

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简介：自从摇滚的梦想被击碎后，铃木良一（长谷川博己 饰）便委身一家乐器公司浑噩度日。他唯唯诺诺，几乎成为全公司所有人欺凌和嘲笑的对象。在这些人当中，只有同样有着孤独感的寺岛裕子（麻生久美子 饰）向他投来同情的目光。某天，良一买了一只小乌龟，他在房间内对小乌龟倾吐着自己种种难以实现的梦想。然而在遭到同时的嘲讽后，他一气之下把乌龟扔进了马桶。乌龟顺着下水道来到一个神秘所在，衣衫褴褛的老人（西田敏行 饰）拥有神奇的糖果，可以让被遗弃的玩具和动物开口说话，而小乌龟则不小心吃了能实现梦想的糖果。它念念不忘良一的梦想，而随着梦想实现，小乌龟的身体也越来越大。　　良一的命运发生转变，他朝着未竟的摇滚之梦再度进发……

简介：人送外号“厂区终结者”的热血青年丁成功（窦骁 饰）和冰山美人林晓蓝（张钧甯 饰）因为一场厂区青年之间的大战而偶遇并暗生情愫。与此同时，丁成功的父亲——单身爸爸丁伯刚（吴刚 饰）正在与林晓蓝的母亲——单身妈妈苏琴（邬君梅 饰）展开一场中年之恋。随着两个单亲 家庭每周举行的六人晚餐，丁成功和林晓蓝就此开始一段青春飞扬而又充满悲怆的爱情故事。

简介：一名出身优越的少女在海滨胜地结识了她的初恋——一名自由奔放的风筝冲浪教练，等待她的是海浪、阳光和激情

简介：影片根据“二七”革命斗争故事来改编，主要讲述林祥谦烈士在党的培养下，从一个普通工人成长为优秀的共产党员，京汉工人运动领袖的事迹。林祥谦在生死存亡的关头，发出了“我分工会非得总工会命令不能开工；我头可断，血可流，工不可复！”影片讴歌林祥谦不畏强暴、不怕牺牲、勇敢坚定、宁死不屈的大无畏精神和全心全意为劳苦大众求解放的崇高品质；还充分展现出林祥谦坚定的政治信仰和浓烈的阶级感情以及助人为乐、舍生取义的牺牲精神，是2021年中央开展的“中共党史教育”的鲜活教材。

简介：江城连发三起连环杀人案。探长沈与非发现案子似乎与自己的准继母赵雪墨有关，与此同时，他又被年龄相仿的赵雪墨吸引，深深地爱上了对方。就在父亲与赵雪墨结婚当天，父亲中毒身亡，一切真相浮出水面。

简介：埃森企業是擁有九萬名員工的法國大型企業。某天一名財務分析師達瑪從企業總部頂樓一躍而下，結束了自己的生命。　　當勞動部介入調查，人力資源部的經理艾蜜莉表示達瑪的死純粹是因為「私人因素」，只有艾蜜麗的秘書知道達瑪因為申請調職被拒一事，多次找過愛蜜莉，卻屢遭相應不理。勞檢員瑪麗的管區內有2500家公司，她的職責是維護三萬名員工的職業安全，她深信達瑪選擇在工作場所自殺就是一個警訊，鍥而不捨的她發現埃森內部一項名為「雄心計劃」的企業管理法，目的是藉由調職，就能不經由「資遣」，強逼九千名員工自動離職。如果能證明人事經理企圖逼走達瑪，艾蜜莉將面臨「職場霸凌」甚至是「過失殺人」的罪名，當埃森高層決定將一切罪名都推給艾蜜莉，小蝦米如何能對抗大鯨魚？艾蜜莉又該如何反擊呢？

简介：沈千寻意外穿越到了平行空间的龙熙王国，成为了丞相府沈庆的嫡女。一次血案疑点全都指向了沈千寻，为了证明自己的清白，她通过细致入微的法医手段和严谨的推理一步步接近了真相。

简介：为了要将召唤来的恶灵送回阴间，这一家人必须去面对他们内心最恐惧的事物，古老的碟仙板将再次召唤出恶灵。

简介：城市日益扩张、地产遍地开花的大环境下，马家祖屋的老住户们都住进了商品房。马伯夫妇却坚持住在老屋里面。地产商看中了老屋，欲征收改造成集民俗和餐饮一体的商业空间。马伯不愿意把祖上传下的基业交给别人。地产商软硬兼施，威逼利诱。马伯却不为所动。女儿马文文是传媒精英，对爸爸坚守传统文化的毅力感动，遂以客家文化为内容策划纪录片，并为老屋申请文化遗产保护。父女俩与地产商展开斗智斗勇的行动。

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

简介：被指控杀害丈夫的李信英（李美妍 饰）在与律师徐俊河（朴信阳 饰）相处的过程中都爱上了彼此。对于信英，俊河相信她饰不会那么狠心残酷，信英也对俊河的温柔无法抗拒。死刑罪犯与律师之间的爱情，使这段恋情更加动人。　　他们共度了人生中最甜蜜了两天，他们享受着乡村的宁静，和煦的阳光。令人心寒的是，信英的确不堪丈夫的暴行而杀死了他。信英感觉自己已享受过最动人的爱情，她也能坦然面对死亡了。