那不勒斯面纱

简介：五百年前，齐天大圣被如来神掌一分为二，佛性的悟空被压在五指山下。而魔性的另一分身逃至大漠，被各路神仙追杀。观音用钵盂化作客栈，将其封印在客栈中，法印形成不法山，方圆五百里内，各路神仙妖怪到此都失去了法力。观音告知妖猴，五百年后，花开之时，就是他解封之日。五百年后，孙悟空保护唐僧一路西行，斩妖除魔，名声大振。客栈中的妖猴听闻世上还有一个齐天大圣，不久就要路经此地，妖猴决心要与这个悟空一决雌雄。同时，师徒四人也知道不法山无法使用法力，因此分头乔装改扮，混入客栈。而那些垂涎唐僧肉的各路妖魔也纷纷赶来，决定在此地拿下唐僧。一场杀人风起，所有人困在客栈，于是，一场西游路上的狼人杀就此展开！

简介：

简介：

退休摇滚明星强尼·博兹（Bill Cable 饰）在性行为的过程中被人用白丝巾捆绑双手后用冰锥残忍刺死。其女友凯瑟琳·特拉梅尔（Sharon Stone 饰）是一名作家，去年出版的小说中就有双手被白丝巾捆绑的退休摇滚明星被女友用冰锥刺死的情节。虽然特拉梅尔通过了谎言测试，但曾枪杀两位游客却被判无罪的尼克·柯兰警探（Michael Douglas 饰）坚持认为特拉梅尔在说谎。因为他自己也曾接受过谎言测试，并且通过了……

简介：《疯狂希莉娅》讲述了一个跟地球环境相似的时空，有人的地方就有爱情故事，有爱的世界总是让人充满希望。

简介：杰瑞·弗莱彻（梅尔·吉布森 Mel Gibson 饰）是纽约一名普通的出租车司机，他孑然一身，无所事事。大概是过于无聊，杰瑞的脑中经常幻想关于政府的各种阴谋论，并将它们告诉给每一个乘客。似乎有些弄假成真，他日常生活中也谨小慎微，紧张兮兮。杰瑞迷上了美丽的律师艾丽丝·萨顿（朱丽娅·罗伯茨 Julia Roberts 饰），并经常带着他的那些阴谋论新闻找艾丽丝交流。近一段时间，纽约经常出现水管爆裂的情况，目击到FBI曾在现场出现，杰瑞断定这背后定有什么阴谋。这次他没有猜错，很快一群神秘人物就盯上了这个口无遮拦的男人……　　本片荣获1998年大热门娱乐奖最佳女主角（Julia Roberts）、最佳男主角（Mel Gibson）和最佳男配角（Patrick Stewart）三项大奖。

简介：影片讲述了一个年轻寡妇的故事。她不幸遭遇了七个强盗，他们不仅偷走了她家的牲畜，还强奸了她。《抢劫》《旅途》《忏悔》《出生》。遭到歹徒侵犯的玛琳娜出于自卫，杀掉他们中的几人。为了寻找正义，她踏上了捍卫权利、完成救赎的旅途。路途遥远，玛琳娜时常回想起自己杀死的人，那伙歹徒中活着的两人也开始伺机报复……

简介：凯伦（奥黛丽·赫本 Audrey Hepburn 饰）和玛莎（雪莉·麦克雷恩 Shirley MacLaine 饰）共同管理着一间私立学校，尽管身为女流之辈，但她们特立独行英明果断的作风还是赢得了许多学生和老师的喜爱，两人之间的友谊也十分坚固。玛丽（Karen Balkin 饰）从小就过着娇生惯养的生活，成长于溺爱之中的她逐渐养成了乖僻的扭曲个性。　　在一次犯错之后，玛丽遭到了凯伦与玛莎的惩罚，可这种惩罚在玛丽看来简直是奇耻大辱，仇恨的种子在她幼小的心灵里生根发芽。玛丽告诉祖母，她无意之中看到了凯伦和玛莎接吻的场面，愤怒的祖母将这子虚乌有的诽谤公之于众。面对来势汹汹的欲加之罪，凯伦和玛莎先是奋起反抗，但很快她们便发现，她们手中唯一的筹码——真诚与坦荡竟然是这样的无足轻重。

简介：喜劇演員凱瑟琳·萊恩剛結束巡迴演出，上台分享她的犀利觀察，暢談校園霸凌、復仇之軀及扶養一個非常時髦的孩子

简介：年幼的童凡得知自己并非父母亲生，他离家出走一心要找自己的亲生父母，养父母多年来一直历尽苦难寻找童凡，看到他在找亲生父母的启事后顺着地址找到他，花钱雇一男子冒充童凡的亲生父亲，他们把终生积蓄都通过该男子资助给了童凡，童凡受伤他们忍不住来探望却遭童凡唾弃，当童凡得知一切真相后追悔莫及，他回到养父母身边，养母却因他去世，从病危的养父得知，童凡的亲生父母在他一岁时因救童凡去世，临终前把童凡托福给了养父母。

简介：退休雇佣兵老板（汉斯）戴了绿帽子，伪造老婆被奸杀，8岁女儿被绑架。找旧部下格斯帮忙，其实是想杀光旧部下。格斯之前和他妻子有一夜情（没结婚之前）。格斯召集6个队友一起寻找小姑娘，最后7人队死了5个，最终挫败了汉斯的阴谋。打斗还行。@www.vv4.cc

简介：八年前，一场与超强武器炸弹的案件被隐藏真相，仅存活的人也被送入监狱。这个被囚禁的人是拥有好几个孩子的父亲，孩子们多少都对父亲的处境不理解，觉得父亲做了错事才导致现在让母亲一人抚养这群孩子。八年后，孩子们发现原来父亲拥有超能力，而他们也会不知不觉中产生某种超能力。在一次偶然中，他们发现了父亲真正被捕的原因，孩子们决定揭开事情真相拯救自己的父亲。但是，军队所拥有的权利以及技术是他们无法估计的，他们可以完成自己的使命吗？

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.